1.11mp1yc2300defaultxmlMon Mar 3 20:05:52 2008 UTClccn-n79-43851Dramatists, French--17th centuryAuthors, French--17th centuryActresses, French0.590.680.77n 79043851a11858331XMolière,1622-1673Molière, J.-B. P. de(Jean-Baptiste Poquelin),1622-1673Poquelin de Molière, Jean Baptiste,1622-1673Molʹer, Zhan-Batist,1622-1673Mo-li-ai,1622-1673Moliai,1622-1673Molyér,1622-1673Molière, Jean Baptiste Poquelin,1622-1673Moliere, I. B. P. de,1622-1673Molʹer, Zh.-B.(Zhan-Batist),1622-1673Molieros,1622-1673Moliyer,1622-1673Molʹer,gospodin de,1622-1673Molʹer,1622-1673Mollierŭ,1622-1673Molyer, Zshan Poḳlen,1622-1673Molʹi︠e︡r, Z︠H︡an,1622-1673lccn-n50-52276Comédie-Françaiseprflccn-n79-72787Lully, Jean Baptiste1632-1687prflccn-n79-84877Corneille, Pierre1606-1684lbtviaf-DNB|129922498Hillemacher, Frédéric Désiré1811-1886lccn-n79-18531Racine, Jean1639-1699lccn-n50-19356Żeleński, Tadeusz(1874-1941)trllccn-n79-7244Wilbur, Richard1921-trllccn-n50-33687Miller, James1706-1744trllccn-n80-126267Voltaire1694-1778edtlccn-no89-21110Despois, Eugène André1818-1876edtMolière1622-1673Molière1622-1673600ComediesFrench drama (Comedy)Humorous fictionDomestic fictionFrench dramaVerse dramaComedyOne-act playsFeature filmsFrance--ParisParadoxSkepticism in literatureAdaptationsReader-response criticismTheater audiencesTechniqueWomen in literatureLiterature, Modern--French influencesAesthetics, FrenchEnglandFilm and video adaptationsMusicAmphitryon (Greek mythology)Don Juan (Legendary character) in literatureDictionariesInfluence (Literary, artistic, etc.)ClassicismFrench languageActorsDramatistsLiterature and societyFrench literatureKnowledgeJonson, Ben,--1573?-1637DramaManners and customs in literatureFeature filmsFictionSourcesShakespeare, William,--1564-1616English drama--French influencesBibliographyRacine, Jean,--1639-1699Don Juan (Legendary character)Corneille, Pierre,--1606-1684English dramaComedyEnglish drama (Comedy)TheaterFrench dramaBiographyDramaDramatists, FrenchHistoryFranceTranslationsFrench drama (Comedy)Criticism, interpretation, etc.Molière,--1622-167316221673162316461650165116581659166016611662166316641665166616671668166916701671167216731674167516761677167816791680168116821683168416851686168716881689169016911692169316941695169616971698169917001702170317041705170617071708170917101711171217131714171517161717171817191720172117231724172517261727172817291730173117321733173417351736173717381739174017411742174417451746174717481749175017511752175317541755175617571758175917601761176217631764176517661767176817691770177117721773177417751776177717781779178017811782178317841785178617871788178917901791179217931794179517971798179918001801180218031804180518061807180818091810181118121813181418151816181718181819182018211822182318241825182618271828182918301831183218331834183518361837183818391840184118421843184418451846184718481849185018511852185318541855185618571858185918601861186218631864186518661867186818691870187118721873187418751876187718781879188018811882188318841885188618871888188918901891189218931894189518961897189818991900190119021903190419051906190719081909191019111912191319141915191619171918191919201921192219231924192519261927192819291930193119321933193419351936193719381939194019411942194319441945194619471948194919501951195219531954195519561957195819591960196119621963196419651966196719681969197019711972197319741975197619771978197919801981198219831984198519861987198819891990199119921993199419951996199719981999200020012002200320042005200620072008173448book842.4pq1825.e5ocn022596015ocn083120185ocn079136090ocn064088517ocn042555542ocn052032219ocn064077574ocn079361512ocn004266387ocn011993808ocn019727074ocn064672913ocn052032690ocn080633337ocn064088522ocn018890059ocn019727108ocn122337163ocn022443415ocn051308981ocn003236947ocn051021301ocn044930522ocn044930710ocn020527750ocn038472556ocn051668838ocn081047188ocn020464510441512210138莫里哀מולייר, ב׳אן בטיסטמולירהמאליערمولييرמוליירמולייר, פ376211297292ocn000891419sw000010963:lccn-n79-43851Falsebook19570.59MolièreComediesHumorous fiction

This unique volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept at portraying human foibles and puncturing pomposity. The School for Wives was his first great success; Tartuffe, condemned and banned for five years, his most controversial play. The Misanthrope is his acknowledged masterpiece, and The Clever Women his last, and perhaps best-constructed, verse piece. In addition this collection includes a spirited attack on his enemies and a defense of his theater, in the form of two sparkling short plays, The School for Wives Criticized and The Impromptu at Versailles.

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A Court Theatre Company production presented by the L.A. Theatre Works for "Chicago Theatres on the Air"

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An imposter cleric gets into the house of the wealthy Orgon, whom he fools into promising him his wealth, position, and his young daughter. The translation into English verse of one of Moliegravere's most masterful and most popular plays. A continuous delight from beginning to end (Richard Eberhart). Introduction by Richard Wilbur.

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Presents a satirical comedy about a man who is undone by his own double dealing and double standards.

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A screen adaptation of Moliere's comedy, this is a lively satire on the pretensions of a rich but silly man to the snobberies of the aristocracy.

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Een man die alleen aan zijn geld denkt, offert daar alles aan op. Met woordverklaringen.

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Presentation in French of the play by Molière.

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A comedy about greedy doctors, a scheming wife, and a hypochondriac who plans to marry off his daughter to a man she does not love in order to get a doctor in the family.

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"A notorious lothario, Dom Juan is the despair of his longsuffering servant, Sganarelle. He carries on his many seductions without a care, deceiving and leaving woman after woman--including the noble Elvire, whose brothers promptly swear vengeance against him. After successfully eluding them, Dom Juan mockingly invites to dinner the statue of a man he had recently killed. When the statue's arrival prompts him to fake a repentant change of heart, an overtaxed Providence cuts the scene short by opening a flaming abyss at his feet and dropping him into Hell"--Container.

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A comedy of confusion and reconciliation. A father who opposes his daughter's suitor, a battered wife who arranges her husbands beating, some medical folderol, and a happy ending for all.

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Gorgibus, a provincial bourgeois, moves to Paris in the hopes of marrying his daughter and niece to a pair of young men of good families. Unfortunately, Magdelon and Cathos, enamored of the affectations of Parisian society, reject their suitors for lacking the flamboyant manners they so adore. In retaliation, the suitors pass off their valets as highly fashionable noblemen, who succeed in infatuating the snobbish young ladies-and when the subterfuge is revealed, their mortification is complete. This play was Molière's first comedy of manners.

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This is a classic comedy-romance on the theme of young love's overcoming all obstacles.

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Here we see Molière, nearing the end of his career and at the height of his powers, transforming the devices of Roman comedy into a brilliant modern play. Scapin, the prototypical clever servant, schemes to extricate two pairs of young lovers from great difficulties; when his machinations come to light, a happy coincidence ties all the loose ends together.

0936839805725114393ocn031410703sw000594570:lccn-n79-43851Falsebook19950.73MolièreComedies

A new translation set in rhyme of a French classic. It tells of Jupiter's affair with the wife of a Greek general. Says Jupiter: "Your love for me was very weak, perforce, / If by so small a thing it was undone! / Should a little joke occasion a divorce, / And should one bridle at what was meant in fun?"

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