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&#x5D5;&#x5D5;&#x5DC;&#x5D8;</altScript></nameInfo><by><citation><uniqueHoldings>5857</uniqueHoldings><holdings>32290</holdings><numEditions>1025</numEditions><oclcnum>ocn000759929</oclcnum><exprid>sw000000805:lccn-n79-81476</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1968</date><languages count="37"><lang code="eng" count="775"/><lang code="spa" count="52"/><lang code="jpn" count="37"/><lang code="fre" count="28"/><lang code="ger" count="21"/><lang code="chi" count="19"/><lang code="ita" count="13"/><lang code="zxx" count="8"/><lang code="por" count="7"/><lang code="yid" count="6"/><lang code="rus" count="6"/><lang code="und" count="6"/><lang code="dut" count="4"/><lang code="pol" count="3"/><lang code="scr" count="3"/><lang code="ukr" count="3"/><lang code="wel" count="3"/><lang code="gre" count="3"/><lang code="heb" count="3"/><lang code="hun" count="3"/><lang code="slv" count="3"/><lang code="ara" count="2"/><lang code="per" count="2"/><lang code="cat" count="2"/><lang code="tur" count="1"/><lang code="lit" count="1"/><lang code="kor" count="1"/><lang code="rum" count="1"/><lang code="dan" count="1"/><lang code="mon" count="1"/><lang code="ori" count="1"/><lang code="geo" count="1"/><lang code="nor" count="1"/><lang code="baq" count="1"/><lang code="fin" count="1"/><lang code="bos" count="1"/><lang code="guj" count="1"/></languages><dates different="137" first="1855" last="2007"/><audLevel>0.62</audLevel><creator>Whitman, Walt</creator><title>Leaves of grass</title><genres><genre count="446" norm="epic poetry">Epic poetry</genre></genres><summary>An illustrated collection of twenty-six poems and excerpts from longer poems by the renowned nineteenth-century poet. Walt Whitman changed American poetry forever. He wrote poems that were open, flowing, charged with bold, passionate energy. He broke all the rules, and though this made him the target of criticism during his lifetime, he quickly emerged as one of America's best known and loved poets. Here, a Columbia University professor of literature and a brilliant young artist bring Whitman's work to life for a new generation. Levin offers a brief biographical sketch and gathers together the most accessible and memorable poems, some of them selections from longer works, along with notes and word definitions that make them easy to follow. He highlights Whitman's love of the land and its diverse people, as in &quot;I Hear American Singing, &quot;his passion for the drama of the sea, and his sense of wonder before the cosmos. We see Whitman's role in the Civil War, in which he served not as a soldier but as a caregiver to the wounded and dying. We discover his sympathetic humanity, his opposition to slavery, and his profound admiration for Abraham Lincoln in the two great mournful elegies, &quot;O Captain! My Captain!&quot; and &quot;When Lilacs Last in the Dooryard Bloom'd&quot;. Jim Burke's paintings, specially commissioned for this book, are a tour de force, capturing the very soul of Whitman's poetry.</summary><cover oclc="ocn036417730" type="isbn">0806995300</cover></citation><citation><uniqueHoldings>3889</uniqueHoldings><holdings>6985</holdings><numEditions>79</numEditions><oclcnum>ocn008034382</oclcnum><exprid>sw000034382:lccn-n79-81476</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1982</date><languages count="4"><lang code="eng" count="75"/><lang code="ger" count="2"/><lang code="rus" count="1"/><lang code="zxx" count="1"/></languages><dates different="26" first="1881" last="2006"/><audLevel>0.57</audLevel><creator>Whitman, Walt</creator><title>Complete poetry and collected prose</title><genres><genre count="2" norm="online databases">Online databases</genre></genres><summary>This is the most comprehensive volume of Walt Whitman (1819-1892) ever published. It includes all of his poetry and what he considered his complete prose. This is also the only collection that includes, in exactly the form in which it appeared in 1855, the first edition of Leaves of Grass. This was the book, a commercial failure, that prompted Emerson's famous message to Whitman: &quot;I greet you at the beginning of a great career&quot;. These twelve poems, including what were later to be entitled &quot;Song of Myself&quot; and &quot;I Sing the Body Electric&quot;, and a preface announcing the author's poetic theories, were the first stage of a massive, lifelong work. Six editions and some thirty-seven years later Leaves of Grass had become one of the central volumes in the history of world poetry. Each edition involved revisions of earlier poems and the incorporation of new ones. In 1856, for example, he added such poems as &quot;Crossing Brooklyn Ferry&quot; and &quot;Spontaneous Me&quot;; in the third edition (1860) &quot;Out of the Cradle Endlessly Rocking&quot; and two new sections, &quot;Calamus&quot; and &quot;Children of Adam&quot;. In the fourth (1867) he incorporated the Civil War poems published a few years earlier as Drum-Taps and Sequel to Drum-Taps, including the poems on the death of Lincoln, notably &quot;When Lilacs Last in the Door Yard Bloom'd.&quot; And so it went, a triumphant progress, hailed by Emerson, Thoreau, Rossetti and others, but also, as with the sixth edition in 1881-82, beset by charges of obscenity for such poems as &quot;A Woman Waits for Me.&quot; Printed here is the final, the great culminating edition of 1891-92, the last supervised by Whitman himself just before his death. Whitman's prose is no less extraordinary. Specimen Days and Collect (1882) includes reminiscences of nineteenth-century New York City that will fascinate readers in the twentieth, notes on the Civil War, especially his service in Washington hospitals, and trenchant comments on books and authors. Democratic Vistas (1871), in its attacks on the misuses of national wealth after the Civil War, is relevant to conditions in our own time, and November Boughs (1888) brings together retrospective prefaces, opinions, random autobiographical bits that are in effect an extended epilogue on Whitman's life, works, and times. Here it all is, the complete Whitman-elegiac, comic, furtive, outrageous-the most innovative and original of American authors.</summary><cover oclc="ocn008034382" type="isbn">094045002X</cover></citation><citation><uniqueHoldings>2860</uniqueHoldings><holdings>6588</holdings><numEditions>194</numEditions><oclcnum>ocn050422985</oclcnum><exprid>sw000461184:lccn-n79-81476</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1955</date><languages count="18"><lang code="eng" count="124"/><lang code="spa" count="16"/><lang code="fre" count="14"/><lang code="rus" count="7"/><lang code="chi" count="6"/><lang code="jpn" count="6"/><lang code="dan" count="4"/><lang code="ita" count="4"/><lang code="pol" count="3"/><lang code="hun" count="2"/><lang code="ger" count="1"/><lang code="zxx" count="1"/><lang code="rum" count="1"/><lang code="slo" count="1"/><lang code="und" count="1"/><lang code="per" count="1"/><lang code="kor" count="1"/><lang code="slv" count="1"/></languages><dates different="75" first="1866" last="2006"/><audLevel>0.58</audLevel><creator>Whitman, Walt</creator><title>Selected poems</title><summary>The poetry of Walt Whitman is the cornerstone of modern American verse. He was America's first truly great poet and his influence is still evident today. The first edition of Whitman's Leaves of Grass, published in 1855, was a revolutionary manifesto declaring America's independence from European cultural domination. His rhapsodic free verse broke radically with poetic, tradition: it was poetry about America, its democracy, its people, and its hopes. It was uniquely American without apology--brash, proud, optimistic, and filled with the bustling energy of the new and growing nation. This collection brings together Whitman's greatest and most famous poems spanning the whole of his career. From the groundbreaking first edition of Leaves of Grass are seven poems, including &quot;Song of Myself&quot; and &quot;I Sing the Body Electric.&quot; From later editions there are such masterpieces as &quot;Crossing Brooklyn Ferry,&quot; &quot;Out of the Cradle Endlessly Rocking,&quot; and &quot;I Hear America Singing.&quot; Also included is Whitman's great cycle of Civil War Poems, Drum-Taps, which he wrote in the months when he was ministering to the wounded in battlefield hospitals. Concluding this collection is one of his last poems, &quot;Good-bye My Fancy!&quot;--his touching farewell to his muse, his life, and his readers. More than one hundred years after his death, Walt Whitman's poetry has become part of the American heritage. It is a visionary which speaks as aptly to readers today as it will to future generations. As he says in &quot;Crossing Brooklyn Ferry,&quot; &quot;others...look back on me because I look'd forward to them.&quot; Whitman's poetry is a link that connects all Americans--past, present, and future. 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