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&#x5D1;&#x5E8;&#x5E0;&#x5E8;&#x5D3;</altScript></nameInfo><by><citation><uniqueHoldings>4868</uniqueHoldings><holdings>21255</holdings><numEditions>353</numEditions><oclcnum>ocn000360858</oclcnum><exprid>sw000103704:lccn-n79-6533</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1951</date><languages count="10"><lang code="eng" count="305"/><lang code="ger" count="13"/><lang code="und" count="9"/><lang code="rus" count="7"/><lang code="spa" count="7"/><lang code="fre" count="4"/><lang code="ita" count="4"/><lang code="jpn" count="2"/><lang code="dan" count="1"/><lang code="ara" count="1"/></languages><dates different="88" first="1851" last="2005"/><audLevel>0.57</audLevel><creator>Shaw, Bernard</creator><title>Seven plays, with prefaces and notes</title><genres><genre count="1186" norm="HISTORICAL DRAMA">Historical drama</genre><genre count="3" norm="ENGLISH DRAMA">English drama</genre><genre count="2" norm="DRAMA">Drama</genre></genres><summary>In these three extravagant comedies, [the author] explores the theme of money and what it can - and cannot - buy. Speaking, as he was, to a comparatively wealthy middle-class audience, [he] questioned their desires and aspirations and asked why they wanted more than enough. The rich cannot eat more than the poor, or wear more, he says, so why should they have such a surfeit of funds. Despite the high comedy of &quot;The Millionaires,&quot; [he] shows that many social evils occur because money stays in the hands of the rich - often to the detriment of society as a whole. &quot;In Too True to be Good&quot; the unlimited wealth that is acquired brings nothing but &quot;a multitude of worries and a maddening dissatisfaction', while in &quot;The Simpleton of the Unexpected Isles&quot; [he] equates religious salvation with class and wealth. The three plays in this volume, though serious in intent, are ... inventive comic pieces, blending mordant social comment with [the author's] irresistible wit and vigorous.-Back cover.</summary><cover oclc="ocn047893358" type="isbn">0393977536</cover></citation><citation><uniqueHoldings>3708</uniqueHoldings><holdings>7655</holdings><numEditions>269</numEditions><oclcnum>ocn000653530</oclcnum><exprid>sw000361568:lccn-n79-6533</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1957</date><languages count="19"><lang code="eng" count="192"/><lang code="ger" count="15"/><lang code="fre" count="14"/><lang code="chi" count="6"/><lang code="pol" count="6"/><lang code="spa" count="6"/><lang code="ita" count="4"/><lang code="cze" count="4"/><lang code="ara" count="3"/><lang code="dut" count="3"/><lang code="und" count="3"/><lang code="dan" count="2"/><lang code="por" count="2"/><lang code="heb" count="2"/><lang code="swe" count="2"/><lang code="hun" count="2"/><lang code="zxx" count="1"/><lang code="per" count="1"/><lang code="fin" count="1"/></languages><dates different="73" first="1900" last="2007"/><audLevel>0.47</audLevel><creator>Shaw, Bernard</creator><title>Pygmalion</title><genres><genre count="873" norm="COMEDIES">Comedies</genre><genre count="221" norm="ENGLISH DRAMA">English drama</genre><genre count="18" norm="DRAMA">Drama</genre><genre count="4" norm="MUSICALS">Musicals</genre></genres><summary>Pygmalion both delighted and scandalized its first audiences in 1914. A brilliantly witty reworking of the classical tale of the sculptor who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw's feminist views. In Shaw's hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his 'creation' has a mind of her own. This is the definitive text produced under the editorial supervision of Dan H. Laurence, with an illuminating introduction by Nicholas Grene, discussing the language and politics of the play. Also included in this volume is Shaw's preface, as well as his 'sequel' written for the first publication in 1916, to rebut public demand for a more conventionally romantic ending.</summary><cover oclc="ocn022136649" type="isbn">014045022X</cover></citation><citation><uniqueHoldings>2982</uniqueHoldings><holdings>4890</holdings><numEditions>179</numEditions><oclcnum>ocn000436408</oclcnum><exprid>sw000132172:lccn-n79-6533</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1951</date><languages count="16"><lang code="eng" count="142"/><lang code="ger" count="7"/><lang code="fre" count="5"/><lang code="jpn" count="4"/><lang code="und" count="3"/><lang code="zxx" count="3"/><lang code="guj" count="2"/><lang code="pol" count="2"/><lang code="heb" count="2"/><lang code="spa" count="2"/><lang code="chi" count="2"/><lang code="urd" count="1"/><lang code="hun" count="1"/><lang code="per" count="1"/><lang code="ita" count="1"/><lang code="ara" count="1"/></languages><dates different="64" first="1923" last="2006"/><audLevel>0.61</audLevel><creator>Shaw, Bernard</creator><title>Saint Joan : a chronicle play in six scenes and an epilogue</title><genres><genre count="495" norm="MOTION PICTURE PLAYS">Motion picture plays</genre><genre count="284" norm="ENGLISH DRAMA">English drama</genre><genre count="0" norm="HISTORICAL DRAMA ENGLISH">Historical drama, English</genre></genres><summary>Production of the last two scenes and the epilogue of George Bernard Shaw's play entitled Saint Joan. Actress Julie Harris introduces the scenes and discusses different dramatists' interpretations of Joan.</summary><cover oclc="ocn020444332" type="isbn">0140450238</cover></citation><citation><uniqueHoldings>2601</uniqueHoldings><holdings>6136</holdings><numEditions>205</numEditions><oclcnum>ocn000109899</oclcnum><exprid>sw000109899:lccn-n79-6533</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1971</date><languages count="9"><lang code="eng" count="165"/><lang code="und" count="20"/><lang code="spa" count="6"/><lang code="rus" count="5"/><lang code="ger" count="3"/><lang code="ita" count="2"/><lang code="heb" count="2"/><lang code="fre" count="1"/><lang code="rum" count="1"/></languages><dates different="70" first="1888" last="2005"/><audLevel>0.63</audLevel><creator>Shaw, Bernard</creator><title>Bernard Shaw's plays: Major Barbara, Heartbreak House, Saint Joan, Too true to be good</title><genres><genre count="2" norm="BIOGRAPHIES">Biographies</genre></genres><summary>A compilation of Shaw's articles, speeches etc., on vivisection.</summary><cover oclc="ocn051227106" type="isbn">080204123X</cover></citation><citation><uniqueHoldings>2595</uniqueHoldings><holdings>3992</holdings><numEditions>105</numEditions><oclcnum>ocn001362810</oclcnum><exprid>sw000361584:lccn-n79-6533</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1962</date><languages count="11"><lang code="eng" count="90"/><lang code="fre" count="2"/><lang code="ita" count="2"/><lang code="ara" count="2"/><lang code="und" count="2"/><lang code="spa" count="2"/><lang code="ger" count="1"/><lang code="tur" count="1"/><lang code="sit" count="1"/><lang code="zxx" count="1"/><lang code="rus" count="1"/></languages><dates different="56" first="1911" last="2006"/><audLevel>0.55</audLevel><creator>Shaw, Bernard</creator><title>Androcles and the lion; 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an anthology of Bernard Shaw's writings on the plays and production of Shakespeare</title><summary>The eminent British writer describes how he came to be a satisfied customer of the Hemstreet firm, and quotes from a letter of Elbert Hubbard.</summary><cover oclc="ocn031971191" type="isbn">1557831491</cover></citation><citation><uniqueHoldings>2059</uniqueHoldings><holdings>3298</holdings><numEditions>117</numEditions><oclcnum>ocn000361915</oclcnum><exprid>sw000147623:lccn-n79-6533</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1960</date><languages count="15"><lang code="eng" count="92"/><lang code="ger" count="3"/><lang code="chi" count="3"/><lang code="dut" count="3"/><lang code="ita" count="2"/><lang code="und" count="2"/><lang code="spa" count="2"/><lang code="zxx" count="2"/><lang code="cze" count="2"/><lang code="fre" count="1"/><lang code="por" count="1"/><lang code="fin" count="1"/><lang code="alb" count="1"/><lang code="ara" count="1"/><lang code="pol" count="1"/></languages><dates different="62" first="1905" last="2008"/><audLevel>0.61</audLevel><creator>Shaw, Bernard</creator><title>Major Barbara</title><genres><genre count="699" norm="DIDACTIC DRAMA">Didactic drama</genre><genre count="203" norm="ENGLISH DRAMA">English drama</genre></genres><summary>An adaptation of Shaw's play.</summary><cover oclc="ocn024299411" type="isbn">0140450181</cover></citation><citation><uniqueHoldings>1911</uniqueHoldings><holdings>3992</holdings><numEditions>65</numEditions><oclcnum>ocn000362183</oclcnum><exprid>sw000362183:lccn-n79-6533</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1957</date><languages count="5"><lang code="eng" count="58"/><lang code="ger" count="3"/><lang code="und" count="2"/><lang code="rus" count="1"/><lang code="fre" count="1"/></languages><dates different="21" first="1904" last="1998"/><audLevel>0.67</audLevel><creator>Shaw, Bernard</creator><title>Collected letters</title><summary>Signed holograph. Portrait of Shaw enclosed.</summary><cover oclc="ocn028449155" type="isbn">0861402782</cover></citation><citation><uniqueHoldings>1890</uniqueHoldings><holdings>2948</holdings><numEditions>142</numEditions><oclcnum>ocn007206883</oclcnum><exprid>sw000307468:lccn-n79-6533</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1982</date><languages count="16"><lang code="eng" count="111"/><lang code="chi" count="5"/><lang code="tur" count="4"/><lang code="fre" count="3"/><lang code="ara" count="3"/><lang code="spa" count="3"/><lang code="cat" count="2"/><lang code="gre" count="2"/><lang code="und" count="2"/><lang code="urd" count="1"/><lang code="ger" count="1"/><lang code="jpn" count="1"/><lang code="pol" count="1"/><lang code="dut" count="1"/><lang code="hun" count="1"/><lang code="fin" count="1"/></languages><dates different="69" first="1893" last="2008"/><audLevel>0.60</audLevel><creator>Shaw, Bernard</creator><title>Arms and the man</title><genres><genre count="0" norm="COMEDIES">Comedies</genre></genres><summary>It's 1885, and Raina's bourgeois Bulgarian family is caught up in the heady patriotism of their war with Serbia. The beautiful and headstrong Raina eagerly awaits her fiance&#x301;'s victorious return from battle - but instead meets a soldier who seeks asylum in her bedroom. This is one soldier who definitely prefers romance and chocolate to fear and bullets. 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