1.111s6mbx300defaultxmlWed Dec 2 00:55:52 2009 UTClccn-n83-402970.150.560.92Gao_Xingjiann 83040297oca00929228aGao, XingjianKao, Hsing-chienXingjian, GaoCao, Hành Kiện高行健lccn-nr94-29651Lee, Mabeltrllccn-nb98-62641Dutrait, Noëltrllccn-no00-93499Fong, Gilbert Chee Funlccn-no2002-48565Dutrait, Lilianetrllccn-n86-30988Forster-Latsch, Helmuttrllccn-n85-259328Malmqvist, N. G. D.(Nils Göran David)1924-trllccn-no98-17714Vittinghoff, Nataschatrllccn-n80-132279彥火1947-lccn-n80-79334RTHKlccn-n82-83399劉再復1941-Gao, XingjianGao, Xingjian100Autobiographical fictionHistorical fictionShort storiesShort stories, ChineseChinese fictionChildren's storiesConference proceedingsChinese languageEssaysFiction--TechniquePolitical fictionRhetoric--Political aspectsPolitics and literatureArtsCreative writingDuihua yu fanjie (Gao, Xingjian)Chinese essaysCreation (Literary, artistic, etc.)Painting, ModernAuthorshipFranceBiographyAuthors, ChineseMothersChildren's stories, ChineseLiteratureArt--PhilosophyInk paintingPainting, ChineseSocial historyExperimental theaterManners and customsMythology, ChineseDramaInterviewsCatalogsLiterature, ModernDramaChinese literatureChinese dramaTravelChinese fictionTheaterAestheticsShort stories, ChineseExhibition catalogsLiterature--PhilosophyInk painting, ChineseCriticism, interpretation, etc.Cultural Revolution (China : 1966-1976)HistoryMeaning (Philosophy)ChinaTranslationsFictionGao, Xingjian1981198419851988198919901991199219931994199519961997199819992000200120022003200420052006200720082009<viaf>84114105</viaf>17821book895.1352pl2869.o128ocn180738052ocn313644359ocn315422721ocn185892966ocn315731588ocn320596665ocn213220658ocn17299140722252329高, 行健高新建高行健2645360560ocn045477123sw024498893:lccn-n83-40297Truebook20000.49Gao, XingjianAutobiographical fiction

A chinese man goes on a journey of self discovery in the distant regions of contemplating the disparaging effects of the cultural revolution.

00662108281409175851ocn048777417sw043758625:lccn-n83-40297Truebook20020.52Gao, XingjianAutobiographical fictionHistorical fiction

In a Hong Kong hotel room in 1996, Gao Xingjian's lover, Marguerite, stirs up his memories of childhood and early adult life under the shadow of Mao Zedong and the Cultural Revolution. Gao has been living in self-imposed exile in France and has traveled to this Western-influenced Chinese city-state, so close to his homeland, for the staging of one of his plays. What follows is a fictionalized account of Gao Xingjian's life under the Communist regime. Whether in "beehive" offices in Beijing or in isolated rural towns, daily life is riddled with paranoia and fear, as revolutionaries, counterrevolutionaries, reactionaries, counterreactionaries, and government propaganda turn citizens against one another. It is a place where a single sentence spoken ten years earlier can make one an enemy of the state. Gao evokes the spiritual torture of political and intellectual repression in graphic detail, including the heartbreaking betrayals he suffers in his relationships with women and men alike. [This book] is a profound meditation on the essence of writing, on exile, on the effects of political oppression on the human spirit, and on how the human spirit can triumph.-Dust jacket.

00662113281033126746ocn052478392sw046716593:lccn-n83-40297Falsebook20040.52Gao, XingjianShort stories

"Written between 1983 and 1990, these translated stories take as their themes the fragility of love and life, and the haunting power of memory. In "The Temple" the narrator's acute and mysterious anxiety overshadows the "delirious happiness" of an outing with his new wife on their honeymoon. In "The Cramp" a man narrowly escapes drowning in the sea, only to find that no one even noticed his absence. In "The Accident" a bus hits a cyclist and, as in stop-action film, the chaotic aftermath gives way to a calm, ordinary street comer with no trace of the previous drama. In the title story the narrator attempts to "unburden myself of homesickness" only to find himself lost in a labyrinth of childhood memories. Everywhere in this collection are powerful psychological portraits of characters whose unarticulated hopes and fears betray the never-ending presence of the past in their present lives."--Book jacket.

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The bold and extraordinary essays in this volume?all beautifully translated by sinologist Mabel Lee?include Gao's Nobel Lecture ("The Case for Literature"), "Literature as Testimony: The Search for Truth," "Cold Literature," "Literature and Metaphysics: About Soul Mountain," and "The Necessity of Loneliness," as well as other essays. These essays embody an argument for literature as a universal human endeavor rather than one defined and limited by national boundaries. Gao believes in the need for the writer to stand apart from collective movements, regardless of whether these are engineered by political parties or driven by economic or other forces not related to literature. This collection presents Gao's innovative ideas on aesthetics, and it constitutes the very kernel of his thinking on literary creation.

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A chinese man goes on a journey of self discovery in the distant regions of contemplating the disparaging effects of the cultural revolution.

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"Trois pièces inédites en français du prix Nobel de littérature en 2000. La première met en scène deux personnages qui débattent sur la société moderne, l'art, la vie et la mort dans un musée contemporain. La deuxième retrace l'histoire du sixième patriarche du bouddhisme Chan Huineng. La dernière, expérimentale, a pour vocation d'aider les acteurs dans leur quête d'un jeu nouveau.

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"Quatre nouvelles où se mêlent souvenirs d'enfance et moments présents, instantanés de la Chine et évocations de sentiments, parties de football effrénées et impressions de paysages, silence et amour.

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